Sunday, 6 December 2009
We are also taught that defining your target audience as ‘the general public’ is blasphemy in PR. How then is it possible that a PR agency that didn’t define its target audience or even see it as a priority was so successful in its PR campaign?
Watershed PR was given the objective to increase the number of visitors to the Bath & West Show 2009 and more than achieved this by targeting national newspapers and drive-time radio shows. Is communicating via mass media enough guarantee that your message will be received by potential audiences? Or is this case a one-off?
Friday, 4 December 2009
Watershed PR targeted online news sites with their smelly cheese campaign for the Royal Bath & West Show. They managed to secure a considerable amount of published online content, so there is plenty of access to the campaign available online for those interested in the client, which will be archived for the long term and appear in search engines.
However, in terms of updating their client website, using sites such as Twitter and Facebook, blogging, youtube, etc, they did nothing. For a campaign that managed to secure more than 12 stories in national newspapers, feature on BBC and ITV News and get a feature in a national magazine, is it possible that they could have utilised the online space available to further promote a campaign that is evidently interesting and newsworthy?
An important point to keep in mind is that the target audience for this campaign is national. The Royal Bath & West Show is one of the largest agricultural events in the UK and attracts visitors from even further afield.
In terms of time, they only had 3 months. In terms of budget, they only had 5k. Social networking is free and instant. Do you think it would have been worthwhile for Watershed to use social media or would it have just been like an accessory to the campaign that wouldn’t have added any real value?
Tuesday, 1 December 2009
Watershed organised ‘Britain’s Smelliest Cheese Championships’ which was to be held at The Royal Bath & West Show Ground in order to publicise the show. The agency cleverly drip-fed the media information, cheesy facts, and even sent some smelly cheese to local and national radio stations to get them on the air. They had to concentrate on short lead and online media because long-lead print titles were not available to them with the short amount of time they had.
In terms of measurable success, they exceeded their targets. Watershed was brought on board with The Royal Bath & West Show only three months before the agricultural event took place. They were allocated a budget of £5,000 and the main objective of getting visitors through the gates in spite of the recession. Not only did they manage to attract the second highest number of visitors to the show since 2004, they also managed to secure over 160 pieces of coverage in both national and regional media.
It’s hard to believe that such a successful campaign could be both created and executed within three months. Perhaps the fact that they had such a limited time scale meant that the campaign was more cohesive and driven.
In your experience, is it more or less effective to have shorter timescales for large-scale tasks?
Wednesday, 25 November 2009
These characters will be easily recognisable and feature in our advertising. We will also have cartoon versions that will be used online in social networking and interactively in the hope that young people will be able to engage with and relate to at least one of them. In research, we asked respondents why they talk on the phone/listen to music as they walk. With reference to these results, we created the characters and their reasons for being distracted:
The style queen can't bear the thought of walking alone and needs to be gossiping constantly on her Blackberry, the jock needs to feel a beat as he walks and likes listening to Dizzee Rascal on his way to college, and the girl in love can't not speak to her boyfriend every spare moment she gets; you hang up, no you hang up, love you, love you more...ok we get it.I want to know what you think about using characters to engage with audiences aged between 16 and 24. We would be stereotyping in using these characters. Do you think it will work or does it run the risk of being patronising? Does it depend on how we do it? Would you be engaged with the personality most similar to yours?
Friday, 20 November 2009
So...the big reveal! The concept of our road safety campaign is how pedestrians walk around in 'bubbles' when they are plugged into electronic devices. We want to show this literally e.g. people walking the streets in giant bubbles. We have proved that the concept is easy to grasp and the strap line "How will you burst your bubble?" implies that eventually you will snap out of your own world with perhaps fatal consequences.
Picture an average busy street. The people walking around have bubbles around them if they are distracted walkers (e.g. on the phone, texting, listening to music). Other people are as normal. It's actually quite amusing. Inside each person's bubble you feel what they feel, hear what they hear, it's dreamlike, you hear their thoughts and share their agenda. Coming back out of their bubble you see reality - the busy street. Traffic lights. Car horns. Roadworks. Crossings beeping. A lorry reversing. People chattering. Person in a bubble steps out to cross the road. An oncoming car is about to burst their bubble. It can't stop in time. People stop and stare in horror. Water and liquid explodes everywhere - POP. Foam on the bonnet, water leaking down the drain, close up in front of the dented car on the floor. A huge puddle with nothing...except an ipod in the middle.
What do you think?
Monday, 16 November 2009
Passing time: 25.45%
Not a single respondent selected 'other'. It's fair to say that this means young walkers crave some kind of distraction as they walk, that simply walking and being aware of their surroundings isn't stimulating enough. However it is possible that some of these walkers are being over-stimulated by their use of technology and may mean that the road does not get enough of their attention.
Monday, 9 November 2009
The fact that being a distracted walker is dangerous may seem strange to some, when we are so freely encouraged to plug in our music and call our friends as we walk. Think of any advertising for mobile phones or mp3 players you've seen recently - most of them are set in the street. We trust these companies and assume that they would never encourage something dangerous to make a profit...think again.
Now many young people have an established 'norm' of entertainment whilst you walk. This makes the task of making them realise and understand the dangers a whopper. It makes the task of changing their behaviour almost impossible! Scarily pedestrian accidents are happening more and more frequently making more work for our emergency services and putting other people in danger. Something's got to give.